- This event has passed.
Visualizing Freedom Dreams
July 8 @ 12:00 pm - 1:30 pm
with Professor Robin D.G. Kelley
Distinguished Professor of History and Gary B. Nash Endowed Chair in U.S. History at UCLA
In conversation with John Akomfrah & Bushra Junaid
Moderated by Dr. Julie Crooks
and co-hosted with the AGO + Montgomery Collection
12:00pm–1:30pm(ET) – Zoom
"Visualizing Freedom Dreams" is a public dialogue between John Akomfrah, Robin Kelley and Bushra Junaid, moderated by Dr. Julie Crooks of the AGO. This dialogue will be organized through the AGO and the Graduate IPEE summer course at York University which this year is being led by Prof Robin D. G. Kelley of UCLA and will take place virtually on Zoom. This conversation will explore the visual representation of freedom and the transnational political economy of race in each person’s work from their geographic and social location and will be prompted by a discussion of selected images from the Montgomery Collection.
Robin Davis Gibran Kelley is the Distinguished Professor of History and Gary B. Nash Endowed Chair in U.S. History at UCLA. His extensive work has covered many topics including the history of social movements in the U.S., the African Diaspora, and Africa; black intellectuals; music and visual culture; Marxism and Surrealism. His books include Thelonious Monk: The Life and Times of an American Original; Race Rebels: Culture, Politics, and the Black Working Class; Hammer and Hoe: Alabama Communists During the Great Depression and Into the Fire: African Americans since 1970 and Three Strikes: Miners, Musicians, Salesgirls, and the Fighting Spirit of Labor’s Last Century, written collaboratively with Dana Frank and Howard Zinn. Among his numerous co-edited books are Walter Rodney, The Russian Revolution: A View From the Third World (with Jesse Benjamin) (a collection of Rodney’s lectures The Other Special Relationship: Race, Rights and Riots in Britain and the United States (with Stephen Tuck); Black, Brown and Beige: Surrealist Writings from Africa and the African Diaspora (with Franklin Rosemont) and To Make Our World Anew: A History of African Americans (with Earl Lewis) (Oxford University Press, 2000). Kelley's essays have appeared in numerous anthologies and publications among them the Nation, the New York Times, Counterpunch, Black Renaissance/Renaissance Noir, Signs, American Quarterly, Re-Thinking Marxism, and Jacobin.
In conversation with:
John Akomfrah is an internationally renowned Ghanaian British Filmmaker and artist whose works are characterized by their investigations in memory, post-colonialism, temporality and aesthetics, as well as global migrant diasporas. Akomfrah was a founding member of the influential Black Audio Film Collective, which started in London in 1982. Their work has been exhibited in numerous galleries including Seattle Art Museum (2020); Secession, Vienna, Austria (2020); BALTIC, Gateshead, UK (2019); ICA Boston (2019); Museu Coleção Berardo, Lisbon, Portugal (2018); New Museum (2018); Bildmuseet, Umeå University, Umeå, Sweden (2015, 2018); SFMOMA (2018); Museo Nacional Thyssen-Bornemisza, Madrid, Spain (2018); Barbican, London, UK (2017) among others. In 2017, Akomfrah presented his largest film installation to date, Purple (2017), at the Barbican in London, commissioned by Bildmuseet Umeå, Sweden, TBA21—Academy, The Institute of Contemporary Art/ Boston, Museu Coleção Berardo, Lisbon and Garage Museum of Contemporary Art, Moscow. The six-channel video installation addresses climate change, human communities and the wilderness. He has also been featured in many international film festivals, including Sundance Film Festival, Utah, USA (2013 and 2011) and Toronto International Film Festival, Canada (2012). He was awarded the Artes Mundi Prize in 2017.
Bushra Junaid is a multidisciplinary artist and curator based in Toronto. Her work probes themes of history, memory, and cultural identity in the diasporas of African-descended peoples through mixed media collage, drawing, painting, illustration and installation. Most recently Bushra curated the landmark exhibition What Carries Us: Newfoundland and Labrador in the Black Atlantic at The Rooms Provincial Art Gallery (2020). Pivoting on Paul Gilroy's concept of the "Black Atlantic," the exhibition was also inspired by, and reflected on, John Akomfrah’s Vertigo Sea (2015). What Carries Us included video, mixed media, mural and photo-based works by Canadian and international artists as well as rare archival items. In 2016, Junaid developed and co-curated (with Pamela Edmonds) New-Found-Lands: An Art Project Exploring Historical and Contemporary Connections between Newfoundland and the Caribbean Diaspora at Eastern Edge Gallery, St. John’s, Newfoundland.
Junaid’s work Two Pretty Girls… (2016) was included in New-Found-Lands and has been exhibited as part of Future Possible: The Art of Newfoundland and Labrador to 1949 (The Rooms, 2018); Like Sugar (Tang Teaching Museum at Skidmore College, 2019); and They Forgot That We Were Seeds (Carleton University Art Gallery, 2020). Her work has also been exhibited at the Royal Ontario Museum; Montreal Museum of Fine Art; and Art Gallery of Nova Scotia, among others.
Julie Crooks is a Canadian curator, researcher, and instructor. She currently serves as the head of the department of Arts of Global Africa and the Diaspora at the Art Gallery of Ontario. curated exhibitions for many organizations including BAND (Black Artists Networks in Dialogue) and the Royal Ontario Museum’s Of Africa project. She holds a PhD from the Department of History of Art and Archaeology at the School of Oriental and African Studies (SOAS), University of London, U.K. Crooks’s area of specialty is vernacular photography of West Africa and the diaspora. Julie has curated exhibits at the AGO including: Free. Black. North (2017) Mickalene Thomas: Femmes Noires (2018) and Women in Focus Collection Rotations (2017-ongoing)
This event is hosted in honour of the late Leo Panitch and Rosa Luxembourg
Presented by: The Faculty of Environmental & Urban Change & The Department of Political Science
Sponsored by: The Graduate Programs in Environmental Studies, Geography, and Politics at York University
Co-sponsored by: The Faculty of Environmental and Urban Change, Department of Politics, LAPS Anti-Black Racism Initiatives Fund, Department of Anthropology, Department of Sociology, CERLAC and the Harriet Tubman Institute